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The Prelude to Einstein on the Fritz, which alludes to Philip Glass's opera Einstein on the Beach, provides an example. There is often a startling juxtaposition of styles within a single P. Bach's works parody musicologists' catalogues of famous composers, such as the Köchel catalogue of Mozart's works. The "Schickele" or "S." numbers whimsically assigned to P. Bach's work pokes fun at music including Baroque, Romantic, modern, country music ( Oedipus Tex and Blaues Gras), and rap ( Classical Rap).
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His parts for vocalists include coughing, snoring, sobbing, laughing, and yelling. His music also calls for unusual methods of playing traditional instruments, such as blowing through double reeds by themselves (that is, detached from the instruments) throughout Iphigenia in Brooklyn. The works also incorporate items not normally used as musical instruments, such as balloons, fog horns, and bicycles. The works use instruments not often used in orchestras, such as the slide whistle, kazoo, and fictional or experimental instruments such as the tromboon, hardart, lasso d'amore, and left-handed sewer flute. Bach, are primarily comical rearrangements of well-known works of other composers. Bach had a hollow leg that was considerably longer than the other one. In a running gag in Concerto for Horn and Hardart and in the introduction to Six Contrary Dances on his Music for an Awful Lot of Winds and Percussion album, Schickele inferred from fictional evidence that P. Bach and his music so greatly that Beethoven resorted to stuffing coffee grounds into his ears whenever he saw P. Bach influenced Beethoven's famous deafness: Beethoven came to dread P. In preconcert lectures, Schickele joked that P. Defined the doctrine of Originality Through Incompetence.attributed his frequent headaches to the fact that he was christened in a shipyard rather than a church. The only earthly possession Johann Sebastian Bach willed to his son was a kazoo. According to Schickele, Bach's parents did not bother to give their youngest son a real name, and settled on "P. Bach was born in Leipzig on March 31, 1742, the son of Johann Sebastian Bach and Anna Magdalena Bach the twenty-first of Johann's twenty children. Schickele gives a humorous fictional biography of the composer with facts such as the following: